"For a subject worked and reworked so often in novels, motion pictures, and television, American Indians remain probably the least understood and most misunderstood Americans of us all."

-John F. Kennedy in
the introduction to The American Heritage Book of Indians
Showing posts with label education. Show all posts
Showing posts with label education. Show all posts

Thursday, July 7, 2011

Reel Injun and other Native Responses to "Indians" in Mass Media

Reel Injun is a new documentary film that explores the phenomenon of the Hollywood Indian. For over 100 years, Indigenous North Americans have appeared in more than 4000 films.  Cree filmmaker Neil Diamond explores the many depictions of Indians on celluloid and its impact on every filmgoer's understanding or misunderstanding of Native people.

I caught an abbreviated hour long version of Reel Injun on Independent Lens- the award-winning public television series that highlights new drama and documentary films.  I was very impressed with the film and its humorous and poignant insights into the Hollywood Indian.

The most impressive part of the film is its portrayal of Native actors and filmmakers in the earliest days of cinema.  From the silent era through the first talking films, Native people had a surprisingly active role in film production.  It seems only when the studio system became dominant that real Native people took a backseat role (if not wholly disappeared).






Reel Injun proves that one of the most effective ways to examine and question Indigenous depictions in mass media is with mass media itself!  And so long as there have been these Indigenous depictions, so have there been Indigenous people ready to counter them.  Here are a few of those:



Eska Water's new ad campaign: "Eskan Warriors"

Mohawk activist Clifton Nicholas expresses his dismay over a new ad campaign for Eska Water.  It depicts a fictional band of "Eskan Warriors."  According to Nicholas, these ads depict a negative portrayal of Native people even if it is a fictional generic "Native" group.




Time for "THE INDIANS SHOWBAND" to retire!


The Irish showband "The Indians" who perform in stereotypical Indian garb and perform songs like Wigwam Wiggle and Squaws along the Yukon have met their match online.  A protest group on facebook is calling for the group to retire saying they make a mockery of native culture through their stereotypical representation of Native Americans.
 
https://www.facebook.com/event.php?eid=110714922354367

Here's Wigwam Wiggle:





AIM Santa Barbara takes on The Dudesons

Way back in May 2010, I broke the story about the new MTV show The Dudesons and their tasteless depiction of American Indian culture in the episode Cowboys and Findians.  Here is part one of a three part series of young AIM activists discussing their concerns about The Dudesons.





Ask an Indian: Cultural Appropriation

Simon Moya-Smith is an Oglala Lakota Sioux journalist and activist who describes himself as a "rug lifter" trying to reveal the many American Indian issues swept under the rug.  He blogs over at http://iamnotamascot.blogspot.com/ where his passionate commentary is always good for a hearty laugh and thoughtful reflection.  Here he is decrying Native appropriation while window shopping.




The Stream - Don't Trend on My Culture - Adrienne Keene

Adrienne Keene is a Cherokee blogger and activist who analyzes a constant stream of Native cultural appropriation over at her blog http://nativeappropriations.blogspot.com/.  Thanks to her prodigious efforts at tracking this phenomenon, she is making appearances in more mainstream media such as this interview on The Stream on Al Jazeera English.





Dr. Greene's AB-original Pain Reliever

And finally here is Oneida actor Graham Greene with a humorous take on Native appropriation in marketing.  Enjoy!






Additional reading:

Reel Injun Discussion Guide

Hollywood's Indian: The Portrayal of the Native American in Film. Edited by Peter C. Rollins and John E. O'Connor.  University of Kentucky Press (2003).

From Drawing on Indians:

Drawing on Indians: The Wacky World of TV Tropes

Forget Avatar: 10 Compelling Films of Real-Life Indigenous Struggle


<>

Tuesday, June 28, 2011

Indian Voices: Listening to Native Americans Book Review

I recently reviewed the new book Indian Voices: Listening to Native Americans by Alison Owings.

Read my review from the Bismarck Tribune below:


Native Americans tell their stories in book

Title: “Indian Voices: Listening to Native Americans”
Author: Alison Owings

While driving along an unremarkable two-lane country road, Alison Owings passed a simple road sign that caused her to stop. It read “You are Entering the Navajo Nation.”

As a best-selling author from New Jersey, Owings thought she knew America, but her short jaunt through rural Arizona made her realize just how much she did not.

Shocked and compelled by her own ignorance about Indian Country, Owings set out to write the book her exhaustive library search proved did not yet exist.

“Indian Voices: Listening to Native Americans” unfolds as a series of chapter length interviews with tribal members from across the United States. In these candid discussions, Native Americans of all backgrounds reflect on what it means to be Native in America today.

From the Passamaquoddy blueberry harvester to the Yup'ik educator to the Lakota woman's activist, Owings travels far and wide to converse with her subjects. Stories of hardship and survival, humor and celebration, tradition and modernity are told by the likes of an incarcerated Yurok artist, female Osage lawyer, and Lakota/Navajo urban activist.

Even the most hot-button issues are not off limits; Indian mascots, repatriation of remains, tribal corruption, and spousal abuse all make appearances.

Owings' writing can be summed up in one word: enthralling.

Her vivid prose and penchant for lengthy block quotes bring the scenes and stories to life in vivid detail.

“Indian Voices” has the feel of a documentary film with the camera fixed squarely on the subject.

Owings' musings as the wide-eyed outsider, however, can awkwardly break up the narrative. Indeed, at one point, I found myself wondering if a better subtitle for the book would have been “Listening to Alison Owings Listen to Native Americans.”

Overall though, Owings succeeds in recreating the sense of intimacy she herself must have felt during these long interviews.

The best part about “Indian Voices” is the sheer range of thoughts, feelings and opinions elicited from her subjects; a true reflection of Native America if there ever was one. Even among families, differences exist.

Take the case of Emma George, Lemhi Shoshone and closest known blood-relative of famed Lewis and Clark guide Sakakawea. Emma was always reluctant to acknowledge her famous kin unlike her two sisters who enthusiastically took part in bicentennial activities.

While this book only scratches the surface of America's varied Indigenous communities, it is a welcome addition to the very scant literature on Indian people today.

In addition, while her writing is clearly aimed at a non-Native audience, I feel “Indian Voices” would be a compelling read for both Native and non-Native readers alike. Universal themes of pain, hope, and humor abound.

Having now heard so many truly unique and original voices, I can honestly say I will never look at Native people and culture the same way again. Such is the power of giving one community the opportunity to speak so candidly with the world.


For readers of Drawing on Indians, Owings' subjects make numerous references to challenging Native stereotypes and confronting America's often awkward relationship with Native America.

These individuals provide just the perspective most people lack when dealing with issues of Native cultural appropriation- the Native perspective!

Look!  Smiling and laughing Indians!


You can read some excerpts from the book on Indian Country Today:

http://indiancountrytodaymedianetwork.com/2011/04/indian-voices-loud-and-proud/


<>

Thursday, July 29, 2010

Wisconsin Orders First School to Drop its Indian Mascot under New Law

Breaking news from the world of Indian mascots!

Here's the headline from FOX 21 News Duluth/Superior:

Wisconsin officials issue first order against Native American mascot

On May 5, 2010 a new law went into effect in Wisconsin creating a legal avenue for individuals to challenge school mascots they deem racially offensive.  It states:

"a school district resident may object to the use of a race−based nickname, logo, mascot, or team name by the school board of that school district by filing a complaint with the state superintendent."

If the complaints are considered valid and the mascot or logos are considered race-based, there is a hearing in which

"the school board has the burden of proving by clear and convincing evidence that the use of the nickname or team name in connection with the logo or mascot does not promote discrimination, pupil harassment, or stereotyping, as defined by the state superintendent by rule."

If there is ambiguous evidence that the mascot or logos are race-based then:

"the school district resident who filed the complaint... has the burden of proving by clear and convincing evidence that the use of the nickname or team name by the school board promotes discrimination, pupil harassment, or stereotyping, as defined by the state superintendent by rule."

If the state superintendent rules it is race-based and offensive, the school district has 12 months to remove the offending mascot and name but can appeal for up to 12 more months.  Thereafter, the district can face fines upwards of $1000 per day for keeping the mascot past the allotted time.

The full text pdf of the law is available here:

http://www.legis.state.wi.us/2009/data/acts/09Act250.pdf

Comments:

I heard about this law back in the Spring and am finally glad to see it put into action.  I am so glad the law uses the term "race-based mascot" because that really is the crux of this issue- the wholesale appropriation of the name, images, and symbols of a distinct group of people (whether Native or not).

The law also seems to provide an exception for districts using specific Indian mascots named after and approved by federally recognized American Indian tribes.  I have mixed feelings about this but I suspect it might have been written into the law as part of some political deal-making.

I'm curious to see where this leads but as I always argue in this issue... mascots change, people move on, and the kids will have just as much fun in school!

Update:

Here's another news story about the community reaction:

http://www.weau.com/home/headlines/99348059.html

This pretty much sums it up:

"We've always been a close community and it's starting to separate. But, we'll get back to it. If (the Chieftains) stay, that's good, if they don’t, we'll be OK," says Brenda Hulett, a Chieftain alum.

and here is the offending mascot, the Osseo-Fairchild Chieftain:




For more on my personal thoughts and feelings regarding Indian mascots, check out these previous posts:

Clinton Redskins Demonstration- a narrative

April 29 Clinton School Board Meeting

Mascot Indians


An example of an offensive stereotypical Indian mascot still in use:


 

Saturday, June 5, 2010

Wild Boyz Indians

Life on the Pine Ridge Agency is hard. Located in southwest South Dakota in the badlands, this 3,500 sq. mi. tract of rugged prairie is larger than the state of Rhode Island. Home to over 50,000 members of the Oglala Lakota nation, it also contains some of the worst poverty in the entire nation.


Here are the facts:
  • Pine Ridge is located in the poorest county in America
  • Nearly half the population lives below the poverty line
  • Unemployment is close to 80%
  • Up to 10% of the Pine Ridge population are gang members
I learned these harrowing statistics watching one of the most compelling documentary television shows on the air today Gangland.  Each episode of the History Channel series profiles one of the most notorious gangs in America running from the Aryan Brotherhood, to the Latin Kings, to the Hells Angels, to this week's installment, the Wild Boyz of Pine Ridge.

Much of the gang activity on the Pine Ridge Reservation is imported from cities where tribal members get hooked up with urban gangs.  They often move back to the Reservation and bring their gangbanging ways with them.

The exception to the rule is the homegrown gang known as the Wild Boyz.  Its members were born and raised on the Pine Ridge Agency.  They are a native twist on the traditional gang model.

Having seen many episodes of this series, I noticed early on the same trends running through all the different gangs.  They all have their own territory, sport their own gang signs, symbols, and colors, and express an unbelievable sense of anger and frustration.  And they are all after one fundamental thing- RESPECT.  The Wild Boyz are no different.  They subvert native symbols to create gang tattoos- foremost among them being the bear claw.  For them, being a gang member is the modern equivalent of being a Lakota warrior.

Their violence and unique take on tribal history infuriates many in the community.  The Wild Boyz are appropriating their own culture and twisting it into a violent shadow of itself.  For so many disaffected youth on the rez, the Wild Boyz become their new family, their new Lakota brothers- a place for them that is still uniquely native but also provides an escape from all the pain of growing up on Pine Ridge.

(Source: flickr)

This episode profiling the Wild Boyz presents one of the most harrowing tales of modern native life- the crushing poverty that forces so many young men into a life of crime.

In a way, this episode of Gangland proves one thing- the Lakota youth of Pine Ridge are like so many other young men and women in the country.  They are scared, disaffected, and desperately searching for something to give their life meaning.  Sadly, instead of finding meaning in their families or traditions, they create an artificial family, one that breeds hate and violence through a culture of fear.

The Wild Boyz episode of Gangland is about as far as one can get from the classic Indian stereotypes of film and television.  The gang members are decked out in sports jerseys, hoodies, and baggy jeans.  Their speech is filled with the colorful words and phrases usually associated with black urban culture.


The Gangland series is also an extremely voyeuristic show.  It allows anyone to sit comfortably in their homes and watch a real life drama unfold before their very eyes.  It opens up windows into other cultures that are about as far as one can get from the white, middle-class, suburban lives many of us live.

While this episode may not fit the usual trend of Indian obsession or appropriation, it still proves that our majority American culture can't get enough of delving deep into the lives of the Other.

Sunday, May 30, 2010

Oversized Plastic Toy Indians by Yoram Wolberger

The sculpture of San Francisco based visual artist Yoram Wolberger may be bright and colorful but the meaning in each piece is profound and sincere.  He takes the beloved toys of our childhood and subverts their innocence all in the name of making a point.  Here is the artist profile from his website:

"Yoram Wolberger uses childhood toys and everyday domestic items to create his large scale sculptures, foregrounding the latent symbolism and cultural paradigms of these objects that so subtly inform Western culture. By enlarging this ephemera to life size, Wolberger emphasizes the distortions of their original manufacture disallowing any real illusion and conceptually forcing the viewer to reconsider their meanings. When enlarged beyond any possibility of dismissal, we see that toy soldiers create lines between Us and Them, plastic cowboys and Indians marginalize and stereotype the Other, even wedding cake bride and groom figurines dictate our expected gender roles."


And here is what he makes:


Red Indian Chief, 2005
No Reservations: Native American History and Culture in Contemporary Art
The Aldrich Contemporary Art Museum
(Source: flickr)


 Red Indian #2 (Bowman), 2005
No Reservations: Native American History and Culture in Contemporary Art
The Aldrich Contemporary Art Museum
(Source: flickr)


Red Indian #4 (Spearman)
Brooklyn Museum


And you can never leave the alpha without its omega:

Blue Cowboy #3 (Double Gunslinger)
(Source: tumblr)

These works are a perfect case study in the obsession with everything Native.  The Israeli born artist Yoram Wolberger has taken two of the most potent symbols of Americana, Cowboys and Indians, and revealed them for what they are- rough-edged, bloated, one-dimensional caricatures.

His art is similar to that of Kent Monkman recently profiled on the Beyond Buckskin blog.  They both take symbols of the past- plastic toy Indians and classic western landscape painting- and completely turn them on their heads.  Monkman inserts the sick and silly in his attempt to "queer the frontier" and subvert traditional white dominance.  Wolberger brings the miniature distortions of tiny toy Indians into full scale, making their stereotypical imagery easier to grasp.

Wolberger is someone like myself, a person obsessed with the obsession.  He understands the power and impact these toys had on untold millions of American children. As he puts it so succinctly, "plastic cowboys and Indians marginalize and stereotype the Other."

The question remains: Will people get the message in his work?

Take a look at this photo:

Here is how I would caption it: "Check it out dudes, I'm a cowboy!"

The reason I posted this photo is because I couldn't find one of a gallery visitor next to "Red Indian Chief" with their "how" hand up or their hand covering their mouth (which is very a good thing).

I've been accused before of being too hard on people, claiming that they would never "get" the subtleties in pieces like this or works of satire.  These sculptures once again fall under that broad category of "using stereotypes to debunk/satirize stereotypes," though considering the power of the artist's own statements, he assuredly knows what he's doing.

That being said, the pessimist in me feels that there will still be people who will see these sculptures and have their stereotypes reinforced.  But thankfully the artist's own words give me confidence that anyone who visits these sculptures in a gallery will never look at "Indians" the same way again.

In case you're wondering, Wolberger has not limited himself to just Cowboys and Indians.  Below is another beloved childhood toy re-sized so that the gallery visitors will never see it the same way again:


Title unknown
(Source: artbusiness.com)

Happy Memorial Day!

Monday, May 24, 2010

Tales from Grand Portage: The Great Hall Spirits

During the summer of 2008, I worked at Grand Portage National Monument in the northeast corner of Minnesota on the shores of Lake Superior.  Located on the Grand Portage Chippewa reservation, the monument commemorates the historic fur trade and in particular the North West Company trading post that operated on the site for almost 25 years.  I served as a costumed interpreter, dressing like a historic voyageur and giving talks and tours about the history and culture of the area.

I learned many things during this time but the greatest lessons were not about history but real life.

The Great Hall


The showpiece of the reconstructed trading post is the Great Hall.  Built on the original foundations, it consists of a large central dining hall with four additional side rooms.  Historically, the North West Company partners would entertain guests, conduct business, and relax within the walls of this massive wooden structure.  Thousands of people, young and old, sick and healthy, native and European, passed through this very space.  They laughed, they cried, they danced, and they died.  Fortunes were made and the fates of many were sealed with the stroke of a pen or the grasp of a handshake- all within this very room.

Today, thousands of visitors stream through this magnificent building every summer.  Most learn a few historical facts and go along their merry way but on one innocuous morning, one woman experienced something beyond ordinary.

I go through my regular morning routine- open the side rooms, light a fire, stock brochures, and sit down in my chair to await the first visitors.  A few trickle in now and then.  A typical slow morning.


Two women are now standing in the doorway of the kitchen across the way, ready to walk the short distance across the wooden planks into the Great Hall.  I rise from my chair and slowly walk toward the middle, the thump of my buckled shoes echoing across the cavernous space with every step.

The first woman is middle aged and dressed like an average visitor to the monument- shorts and a top.  She takes three steps inside the Great Hall and stops dead in her tracks.  Before I can even get any words out she is already talking.

"Did you feel that?" She exclaims, "I feel like there is a presence in this room.  I feel like there are spirits in here."

The woman behind her steps in and stands still without saying anything.  I simply stare at them both not knowing how to react.

"I know my grandmother used to tell me that she was part Indian but...," her sentence trails off before she continues, "I don't feel comfortable in here, I have to leave."

The two women quickly depart.  Through the hazy panes of hand blown glass, I see two figures walking diligently toward the entry gate.  I haven't moved since they left, my mind processing the scene I just witnessed.  My mind is screaming out, "What on earth just happened?  Spirits in the Great Hall, please...  This lady must be crazy!"

The Great Hall by candlelight

I immediately have to tell someone.  Somebody has to corroborate my feelings.  With an empty Great Hall, I walk over to the kitchen where I find one of my co-workers.  I immediately start:

"The craziest thing just happened in the Great Hall.  This woman walks in and stops and is telling me that she can feel the presence of spirits.  She's telling me that her grandmother was part Indian and I just don't know what to make of all this.  Have you ever heard of such a thing?"

He looks taken aback and says, "No, that's real strange."  I am reassured that someone else thinks this is as weird as I do.

I walk back into the Great Hall and find another of my co-workers, one of the tribal maintenance staff, painting on the front porch.  I walk up to her and repeat my story, "So this crazy lady walks into the Great Hall and tells me she can feel spirits.  She says she's really uncomfortable and she might be part Indian and then she leaves without saying anything else."

My co-worker responds:

"Oh yeah, I have felt the spirits in the there too.  There are spirits all around here."

Now, I'm staring at my own co-worker not knowing what to say.  I respond with a quiet, "um okay" and head back inside.  I feel like a complete ass for having talked about the lady in such a dismissive manner and now my co-worker standing right in front of me completely agrees with her.

I spend the rest of the day reassessing the events that transpired.  It's a complete shock to my system.

To this day, I will never know what the first woman felt but my co-worker responded with such conviction and candor that I will never think about native spirituality the same way again.

Up until that point, native religion was something I read about in books.  It was a historical concept that I used to explain trading patterns and periods of warfare.  In my mind, the spirits were quaint beliefs from a time long gone.

I learned an important lesson that morning in Minnesota.  Native spirituality is alive and healthy today.  While I may not totally understand it or agree with it, I do need to respect it.

I have since had many more run-ins with living spirituality.  I listen, I learn, and I thank everyone for sharing what they do.  It may be a cliche but it is worth repeating: Never judge a book by its cover.  Especially when that book is another person and the pages within are filled with such powerful personal conviction.

Manido Giizhigance or Little Cedar Spirit Tree
 

Wednesday, April 28, 2010

Stephen Colbert: "Go Humans!!!"

Gotta love Stephen Colbert.

In case you missed last night's episode, Stephen Colbert took on Stephen Hawking's new television series Into the Universe, with Stephen Hawking.  Stephen questioned Hawking's belief that aliens encountering humans would not turn out well.  To quote Hawking from his show:

The outcome would be much as when Christopher Columbus first landed in America, which didn't turn out very well for the Native Americans.

Stephen goes on to rip Hawking apart for his support of the "old liberal myth that colonization was bad for the Native Americans."  The next section is priceless including a hilarious run down of the top "Indians" that owe their existence to Columbus and the colonizers.  Let's just say it's comedy genius and the ending is perfect.  He gives the Cleveland Indians a run for their money.   Go Humans!!!


The Colbert ReportMon - Thurs 11:30pm / 10:30c
Stephen Hawking Is Such an A-Hole
www.colbertnation.com
Colbert Report Full EpisodesPolitical HumorFox News

The best part about all this comedy, it points out the absolute absurdities of these Indian stereotypes.  This is why I love satire and comedy so much, it is the perfect medium for discussing otherwise touchy issues such as cultural appropriation and the troubled history between indigenous peoples and colonizers in North America.  Satire points out the nuances that too often are lost on most people.  Thank you Stephen Colbert for reminding the millions of people who watch your show about this subject.  Let's just hope they remember the history behind the humor.

Saturday, April 24, 2010

Mascot Indians

In order to delve into this complicated issue I first have to answer two fundamental questions-

1. How and why do we choose mascots?

2. How and why were Indians chosen as mascots?

As with so many issues, it is good to start with working definitions. The following is the definition of mascot from the American Heritage dictionary:

mascot n. A person, animal, or object believed to bring good luck, especially one kept as the symbol of an organization such as a sports team.

It also includes a word history that I will quote in full:

“A giant strutting bird leading a cheer at the homecoming game may seem a far cry from a witch fashioning a charm or spell, but these two figures are related historically in the development of the word mascot. Mascot came into English as a borrowing of the French word mascotte, meaning "mascot, charm...” The French word in turn came from the Provençal word mascoto, "piece of witchcraft, charm, amulet," a feminine diminutive of masco, "witch." This word can probably be traced back to Medieval Latin masca, "witch, specter." Thus for all their apparent differences, yesterday's witches and today's cuddly mascots can be seen in the same light, as agents working their respective magic to bring about a desired outcome.”

In a lot of ways, this origin makes sense. We choose mascots because we want part of this power or magic for ourselves. We fixate on the desirable qualities of the symbol. We the athletes on the field or the fans in the stands want to impart in ourselves its enchanted elements. We wish to be as quick as a cougar, as fierce as a lion, as strong as a bull. It has an almost spiritual element to it.

How then do Indians fit into this picture? Throughout American history, Native Americans have been seen as an otherworldly, spiritual other. From the moment Columbus set foot in the Caribbean, the indigenous people of this continent have fascinated Europeans. Their Christian Bibles included a Europe, an Africa, and an Asia but what then was this America? And who were these people who lived with such strange customs, languages, and practices? They were exotic, they were bizarre, they did not fit. And at a time when these former Europeans were busy burning each other as witches, these strange new people, in this strange new land, certainly held their own magic. Where the lines on the map ended, the magic began.


When the colonists stormed three ships in Boston Harbor in the year 1773, why were they dressed like Indians? They were not disguising themselves but rather making a point. As the ensuing two decades saw a radical transformation in America from British colony to independent nation, non-native Americans suffered a crisis. How could these former subjects of the King emphasize that they were no longer British but instead something new.

The United States has been called the greatest experiment in human history- a nation based not on divine right but on the high ideals of democracy, liberty, and freedom. Such high ideals and abstract concepts provided little solace to the war-weary Americans. They demanded something tangible, more concrete. There existed a huge void in their identity. “If we are no longer British,” they thought, “What are we? Americans, but what does that even mean? How can we lay claim to this new land we just shed our blood for? How do we become true, authentic 'Americans'?”

The resourceful and ingenious Americans did not have to look far for their answer. From the Boston Tea Party to the present day, Americans have had a continual history of “playing Indian.” We dress up like wild Indians in our social fraternities. We put stoic Indians on our currency. We write tall tales of noble savages. We dress in buckskin and sing Indian songs at Summer camp. We dress like Pocahontas and Squanto at Halloween. We put up our tepee at Woodstock and tell everyone to be one with the earth. Like so many generations past when choosing their mascots, we choose Indians as our “agents working their respective magic to bring about our desired outcome.” We want to be that exotic, wild other. We want to live out our fantasies of a more primitive life. We want to be true, authentic Americans. We want that connection to the land that is so uniquely, mysteriously, even magically Indian.

And yet all these things are simply that, Indian.  Not Chippewa, Ottawa, Iroquois, Lakota, Abenaki, Seminole, Muscogee, Ute, Mandan, Paiute, Diné, Inuit or even Native American. Just Indian.

This is this idea of the Indian or “indianness,” separate from real Native American people and cultures but the truth is these two things can never truly be separated. The former is simply an attempt to re-envision, to remake the latter so it can be conveniently used by non-native people. Native Americans and their cultures, past and present, were simply too diverse, too complicated, too complex, too inconvenient to make a good stand in for this utter insecurity on the part of the Americans. Therefore, we pick and choose certain elements of Native Americans, building up some aspects while burying others. We create one-dimensional stereotypes that fill the void in our own lives, our own identities. American insecurities of all varieties stripped down Native Americans into an idealized, magical native creature, the Indian. It became our hero, our inspiration, our charm, our mascot.

But haven't we moved beyond all this? This is the year 2010. Sure, when the redskins name and logo were chosen decades ago, people didn't know better. People do know better today and certainly can make the distinction between a crude stereotype and a real, diverse culture. Plus, all cultures borrow elements from other cultures so why single out this example? We've all seen people with tribal symbols, celtic designs, and chinese characters tattooed on their own skin who are not even Native American, Irish, or Chinese. We all borrow clothing fashions, music styles, and slang words from people who look, speak, and act differently than us. Even look at the back of our currency and you will see symbols ranging from pyramids, to eagles, to the neo-pagan goddess herself Lady Liberty.

And yet it is different.

Whenever I think about the issue of Indian mascots, my mind always returns to this unique historical trend, this obsession with everything Indian in all its myriad forms. But it is also more than that. This is only half the story. Native Americans were continually marginalized, persecuted, and killed in the name of Manifest Destiny. A wide group of real people were demonized as savages, pushed of their land, and then carved down into a stock character, only to be used by the very people who did the demonizing and pushing. Americans glorified Indians as noble warriors and spiritual beings, while wiping these same so-called savages from the face of the earth. It is the definition of cruel irony.

And I don't think that people have moved beyond race in this country. I wince whenever someone says we live in a post-racial environment and that we all should be color-blind. Yes, I believe that today is the most racially tolerant and understanding day in American history and tomorrow will be even better. But how can we expect this trend to continue when such clear visual and meaningful stereotypes exist as the Clinton High School Redskins. It is simply wishful thinking that people will differentiate between a stereotype and reality. Images have real impact, even if the message is not on the surface.

Take this study that demonstrates how race is something even young children see:

“For decades, it was assumed that children see race only when society points it out to them. However, child-development researchers have increasingly begun to question that presumption. They argue that children see racial differences as much as they see the difference between pink and blue—but we tell kids that "pink" means for girls and "blue" is for boys. "White" and "black" are mysteries we leave them to figure out on their own.”

I continue with some insightful comments from the Newspaper Rock blog:

"As the article states, parents, teachers, and society as a whole should be talking about race. And not with such namby-pamby clichés as "We're all the same." The article demonstrates how a child reacts to such vague generalities:

'To be effective, researchers have found, conversations about race have to be explicit, in unmistakable terms that children understand. A friend of mine repeatedly told her 5-year-old son, "Remember, everybody's equal." She thought she was getting the message across. Finally, after seven months of this, her boy asked, "Mommy, what's 'equal' mean?"'

This article explains why we look for the racial messages beneath the surface. It's because people can perceive a message even if it's not overt. For instance, if Indiana Jones is the gun-wielding hero and Indians are the spear-wielding villains, it's not hard to conclude that white = noble and civilized and brown = primitive and savage. A child can see the difference even if adults try to deny it."


And take this recent study about racial attitudes. To quote the author of the study:

“Simply telling people to celebrate diversity or multiculturalism or saying, generically, that we believe in tolerance isn’t sufficient. We need to teach people about structural racism, about the ways that race still shapes people’s life chances and how the media informs our attitudes toward race.”

I honestly believe the students of Clinton High School when they say the Redskins mascot and logo are sources of pride and inspiration. But a supposedly positive stereotype is still a stereotype nonetheless. And when you look at the historical trend of the Indian image and it's use as a mascot, you cannot help but feel a bit unsettled. How can this cultural creation, whose origins are rooted in at best ironic admiration at worst genocide, continue to serve in that role today. In doing so, it only conditions the students into believing that real Native Americans are nothing more than the proud, one-dimensional warriors they lionize every Friday night. Provided few if any alternatives, (and being hounded by legions of native stereotypes in the rest of our popular culture) how can we expect these young students at a learning institution to come to an accurate and nuanced portrait of real Native Americans and real Native culture in the year 2010.

Indian mascots have real consequences for real people today. They perpetuate a constructed stereotype that was born in a process of awkward cultural appropriation over the past 500 years. They simply prevent Native Americans from defining their own culture and their own identity.

Now, one of the most common arguments used to support Indian mascots is the fact that they have real Native American support. They show polling data which clearly shows a large majority of Native Americans in support of keeping Indian mascots. I have a theory about this and I'm going to take a chance and throw it out there.

Growing up Native American in this country means being exposed to the same stereotypes, the same images, the same feelings about Indians as everyone else. You see all these things and know them to not be true. Yet they still have their impact. You wonder why the people like you in the movies, on television, in American culture are both simultaneously glorified and vilified. Such conflicting messages can do a number on your psychology and your self-esteem. You feel dispossessed. You feel utterly insecure.

So you look for any way to set the record straight, even if it means selling out a little of yourself. You're willing to put up with a positive Indian stereotype because you too want to take pride in that image and have others do the same. Like the students at Clinton High School, you look at the Redskins mascot and want some of that magic to rub off on yourself. It's the comfort in seeing something with which you identify being celebrated.

Thanks to the Indian stereotypes in our popular culture and the reality of two centuries worth of boarding schools that systematically shamed Native identity and culture right out of the hearts and minds of generations, many Native Americans were left in an emotional and cultural no-man's land. For this reason, I understand the logic and the emotion behind this current native support for Indian mascots. I just feel there has to be a better way.

In 2005, the American Psychological Association called for the immediate retirement of all American Indian mascots, symbols, images, and personalities by schools, colleges, universities, athletic teams, and organizations. They released a point by point analysis of the negative aspects of Indian mascots. They concluded Indian mascots, symbols, images, and personalities...

“undermine the educational experiences of members of all communities-especially those who have had little or no contact with Indigenous peoples.”


“undermine the ability of American Indian Nations to portray accurate and respectful images of their culture, spirituality, and traditions”


“establish an unwelcome and often times hostile learning environment for American Indian students that affirm negative images/stereotypes that are promoted in mainstream society”


“have a negative impact on the self-esteem of American Indian children”

A big part of the solution is education to teach people of all backgrounds, native and not, to better understand the reality and the complexities of the cultures around us. But this education will only go so far if the simplistic images and stereotypes it's preaching against are plastered on the very walls where this learning takes place, our own schools.

In conclusion, I fully expect people of all backgrounds to go on borrowing from other cultures. I expect people will continue to take pieces of other cultures to fill the holes in their own. I fully expect sports teams everywhere will be in need of rallying symbols, mascots, to propel their team to victory. But when that mascot has such a troubled history and the consequences are so very real for so many people, things simply must change.